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Help CenterSolid Wood Organic Modern Wood Dining Chairs Replica by Saarinen Eames
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Solid Wood Organic Modern Wood Dining Chairs Replica by Saarinen Eames
Quick Details Type: Dining Room Furniture Specific Use: Dining Room Chair General Use: Home Furniture Material: Fabric Appearance: Modern Style: Leisure Chair Folded: No Size: D65*W73*H85 Place of Origin: Guangdong, China (Mainland) Brand Name: Nasida Model Number: CH113 color: S2#Description:
Eames & Saarinen Organic Chair Replica
Item No. : CH113-S2#
1. Fabric upholstery ( leather available)
2. Solid wood legs
3. The Charles Eames and Eero Saarinen Style Organic Chair is a high quality reproduction in the style of the original design.
4. Originally designed as a comfortable small reading chair, made in 1940 as a contribution to the New York MoMA\'s \"Organic Design in Home Furnishings\" competition. Formally speaking it was ahead of its time, but owing to the lack of manufacturing techniques, never went into production. It was not until after 1950 that it became possible to manufacture larger quantities of organically shaped seat shells and market them. The first were chairs such as Eames\' famous Plastic Armchair or Saarinen\'s Tulip Chair.
5. Suitable as a contemporary office chair, this reproduced design classic can also be used in many rooms as a side chair or dining chair.
Specifications:
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Product Name: |
Eames & Saarinen Organic Chair Replica CH113 |
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Designer: |
Eero Saarinen |
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Product No.: |
CH113 |
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Product Material: |
cashmere fabric cover chair body with PP plastic mould inside, ash solid wood legs |
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Upholstery Material: |
cashmere fabric / full Italian top grain leather |
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Available Colors: |
Black, white, red, brown and so on. |
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Product Dimension (cm): |
L65*W73*H85 |
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Package: |
K=K Carton |
K=K Carton |
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Packing Size (cm): |
83*92*80 |
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Single CBM: |
0.62 |
Designer introduction:
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Eero Saarinen |
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At the age of 12, Eero Saarinen won a matchstick design contest. It was the first of many competitions he would win in his life, and foreshadowed his remarkable career as an architect. He grew up in a home where drawing and painting were taken very seriously, and a devotion to quality and professionalism was instilled in him at an early age. He was the son of Eliel Saarinen, a noted and respected architect. His mother Loja Saarinen was a sculptor, weaver and photographer. He was taught early that each object should be designed in its next largest context a chair in a room, a room in a house, a house in an environment in a city plan. The Saarinens emigrated from Finland to the US and settled in Michigan. After studies at Yale School of Architecture Eero Saarinen became an instructor of design at the Cranbrook Academy, and joined his father′s architectural firm. During this period he began to build a reputation as an architect who refused to be restrained by any preconceived ideas. He continued to carefully study the site and its surroundings to ensure that the design encompassed the whole environment. In 1937 Saarinen begun his collaboration with Charles Eames which culminated in a series of highly progressive and prize-winning furniture designs for The Museum of Modern Art′s 1940 \"Organic Design in Home Furnishings\" competition. One of the first office seating programmes - the No 71 model - was also presented in this show. Saarinen later produced several highly successful furniture designs for Knoll International. One of the most well known is the \"Tulip\" series with pedestal tables and chairs in aluminium and fibreglass from the mid 50′s. Saarinen’s mission in this model was to clean up \"the slum of legs\" in domestic interiors. As his designs show, Eero Saarinen was a man of vision. Though |
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