Panasonic Pro AG-HVX200A 3CCD P2/DVCPRO 1080i High Definition Camcorder With 13x Optical Zoom (16GB P2 Included)
New DSP with 14-bit A/D Conversion and 19-bit Processing The AG-HVX200's newly developed digital signal processor for 1080/60p video signals uses 14-bit A/D conversion and 19-bit inner processing to attain unprecedented accuracy. While the camera does not record 1080/60p, it is from this capture that all other signals are made. The DSP performs a variety of adjustments, including eight types of gamma settings, for each of the R, G and B channels. It also converts the signals to HD or SD format. With a performance equivalent to the processors used in many higher-end HD cameras, this new DSP helps the AG-HVX200 deliver high-quality images in all video formats.
High-Resolution Native Progressive 1080/60p Scan
Progressive to interlace conversion, cross conversion and down conversion all start with the 1080p/60 scan. The initial 1080p native progressive scan offers the highest level of vertical resolution possible at this level of camera. Keep in mind that the camera does not record this signal but uses it as a basis for all capture. The result is an HD or SD recording with a level of image quality that electronically processed scans cannot match.
HD/SD Multi-Format Recording The AG-HVX200 is the world's first compact camera to offer 1080/24p shooting. It can record onto a P2 card in 1080/60i or 720/60p HD, and it's compatible with the SD (480i) format currently used in TV broadcasting. The multi-codec system lets you record in DVCPRO 50, DVCPRO and DV.
DVCPRO HD: The Image and Sound Quality Broadcasters Demand Supports Multi-Codec Recording
The Superb Images and Sound of DVCPRO HD Codec Using the DVCPRO HD codec recording system, the AG-HVX200 records HD video with outstanding image and audio quality onto a P2 card in file format. This codec, thanks to a low compression ratio at a video bit rate of 100 Mbps (1080/59.94i, 720/59.94p) and the easy-to-edit intraframe compression system, is suitable for recording fast-moving subjects with no motion artifacts other than motion blur. The 4:2:2 sampling rate minimizes jaggies at chroma edges and is advantageous in image and compositing. Sound quality is excellent too, thanks to DVCPRO HD's uncompressed 16-bit, 4-channel digital audio recording capability
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