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Help CenterReplica Charles Plywood Lounge Chair - Black Color
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Product Description
Replica Charles Molded Plywood lounge chair – Oak Veneer in Black Color
Item No.: DC6002
Chair Size: W55 x D58 x H70cm, SH: 38cm
Packing: Standard export packing, 1 PC/CTN/0.26
Carton Size: 58 x 60 x 73cm
- Our replica Charles plywood lounge chair made with Oak veneer by molded shape.
- Our Charles plywood lounge chair veneer are stained BLACK color, open-pore finish. The touch feeling is good, and looked luxury.
- The shape is fantastic for our Charles plywood lounge chair, it make people feeling comfortable when sit on it.
- We use very strong rubber middle part to make the backrest fitting on the frame without any moving action.
- Our Charles plywood lounge chair are assembled packing, 1 pc/ctn.
- This lounge chair match our DC6001 Charles plywood coffee table, you can choose two pcs chair for a table or four pcs chairs for a table. It is really a good choose to have a set for the waiting room
Product pictures and Details:
Charles plywood lounge chair inside packing
Charles plywood lounge chair outside carton packing with hard paper board frame
Material Color Option:
Designer:
Charles (1907-1978) Birthplace: St. Louis, Missouri, USA
Ray (1912 - 1988) Birthplace: Sacramento, California, USA
Probably the most notable couple in the history of the field of Industrial Design
In 1928 Charles graduated in architecture from Washington University in St. Louis, and in 1930 he set up office with Charles M. Gray. During the 1930s he designed several houses around St. Louis and two churches in Arkansas. In 1934 he went to study at the Cranbrook Academy of Art in Michigan, where he met friend and colleague Eero Saarinen.
Charles and Saarinen entered the New York Museum of Modern Art’s Organic Design in Home Furnishings competition in 1940, where they took first prize with their pioneering moulded plywood chairs. Their sculptured designs heralded a new production method of moulding a plywood shell in three dimensions. Charles also earned himself a position as Head of Industrial Design at Cranbrook in the same year.
Ray Kaiser studied painting at the Hans Hoffman School in New York before continuing to develop her art, working under Hans Hofmann throughout 1937. During this period she played an integral part in setting up the American Abstract Artists group who campaigned for greater publicity for avant-garde art. The group gave her a foundation from which she launched her first exhibition at the Riverside Museum in New York. From there she moved on to the Cranbrook Academy of Art in 1940.
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