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Product Description
Charles Plywood Coffee Table
Item No.: DC6001
Chair Size: W87*H40CM
Packing: Standard export packing, 1 PC/CTN/0.12
Carton Size: 91 x 91 x 14cm
- Our replica Charles plywood coffee Table made with Walnut veneer by molded shape.
- Our Charlesplywood Coffee table walnut veneer, open pore finished. The touch feeling is good, and looked luxury.
- The shape is fantastic for our Charles plywood Coffee table, it looked very beautiful. The legs are more thick than other suppliers
- Our Charles plywood coffee table are assembled packing, 1 pc/ctn. It is small packing volume and easy for delivery.
- This Charles coffee table match our DC6002 Charles plywood lounge chair, you can choose two pcs chair for this table or four pcs chairs for this table. It is really a good choose to have a set for the waiting room.
Product Pictures and Details:
Charles plywood coffee table with nice walnut veneer finished
Charles coffee table bottom finished well.
Charles coffee table bottom detail picture
Charles plywood coffee table bottom unassembled.
Charles plywood coffee table packing in the carton.
Charles plywood coffee table outside carton.
Material Color Option:
Designer:
Charles (1907-1978) Birthplace: St. Louis, Missouri, USA
Ray (1912 - 1988) Birthplace: Sacramento, California, USA
Probably the most notable couple in the history of the field of Industrial Design
In 1928 Charles graduated in architecture from Washington University in St. Louis, and in 1930 he set up office with Charles M. Gray. During the 1930s he designed several houses around St. Louis and two churches in Arkansas. In 1934 he went to study at the Cranbrook Academy of Art in Michigan, where he met friend and colleague Eero Saarinen.
Charles and Saarinen entered the New York Museum of Modern Art’s Organic Design in Home Furnishings competition in 1940, where they took first prize with their pioneering moulded plywood chairs. Their sculptured designs heralded a new production method of moulding a plywood shell in three dimensions. Charles also earned himself a position as Head of Industrial Design at Cranbrook in the same year.
Ray Kaiser studied painting at the Hans Hoffman School in New York before continuing to develop her art, working under Hans Hofmann throughout 1937. During this period she played an integral part in setting up the American Abstract Artists group who campaigned for greater publicity for avant-garde art. The group gave her a foundation from which she launched her first exhibition at the Riverside Museum in New York. From there she moved on to the Cranbrook Academy of Art in 1940.
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