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Help CenterReplica Isamu Nguchi Coffee Table Solid Ash Wooden Base Stained Walnut Color
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Product Description:
Replica Isamu Noguchi Coffee Table – Solid ash wooden base stained walnut color
Item No.: DC6052
Size: W125 x D90 x H40 CM
Packing: 1 PC/ 2 CTNS/ 0.17CBM
Top Carton Size: 139 x 102 x 8cm / 0.12cbm
Base Carton Size: 101 x 45 x 10 cm/ 0.05cbm
Gross Weight: 50kgs
- Our reproduced Isamu Noguchi Coffee Table is 100% the same as original in the shape and material using.
- The design coffee table top, we used 19mm tempered glass.
- We produce this modern coffee table with solid ash wood for base, but stained walnut color. It is looked luxury as solid walnut base but much less cost.
- Isamu Noguchi table are available many different base, solid ash wood in natural color, solid ash wood stained in walnut color, solid birch wood in black color, solid white oak wood in natural color, solid walnut wood in natural color etc. More color you can see our wooden color sample, you can choose the color what you like.
- We produce smaller size as well for this modern classic coffee table. It is W108 x D74 x H40cm. Please inquiry if you are looking for small size. If not, we deal with the orders all to be the BIGGER size.
- Modern design noguchi coffee table packed with two carton. One is for the tempered glass top with outside carton protect frame to make it safe. The replica design noguchi table base packed inside with foam around, to avoid scratching on the wood.
- Caution: please move the top of coffee table replica with at least two people. It is heavy for the massive glass.
Product Pictures and Details:
Detail picture for the classic modern table top on the base
Nice ash solid wooden base stained with walnut color
Classic design coffee table wooden base to be parts with screws, easy to assemble
Inside packing for the famous coffee table base
Material Color Option:
Designer:
ISAMU NOGUCHI (1904-1988) was an American-Japanese designer who originally trained as a sculptor and brought a sculptural sensibility to everything he created: lighting, furniture, gardens and stage sets.
At a time when it’s commonplace to talk of the blurring of boundaries between cultural disciplines and of designers acting out the roles of artists, artisans and technologists, or vice versa; it’s hard to appreciate quite how radical Isamu Noguchi (1904-1988) must have seemed when he combined those roles back in the early 1930s.
If Noguchi had to be described as being any one thing it would have to be as a sculptor. He studied sculpture after dropping out of medical school in late 1920s New York and then in Paris as an assistant to Constantin Brancusi. For the rest of his life, Noguchi applied his sculptural sensibility to everything he created: from his mulberry paper Akari lights and Martha Graham’s dance sets, to the mass-manufactured Zenith Radio Nurse and the stone gardens he landscaped at UNESCO’s Paris headquarters and Lever House in New York.
The blurring of boundaries in Isamu Noguchi’s work mirrored his personal history: a fusion of his Japanese father’s Asian heritage and the American modernity of his Californian mother. His parents met after his father, the Japanese poet Yonejiró (Yone, for short) Noguchi, arrived in Los Angeles in the early 1900s at a time when it was fashionable for Japanese intellectuals to live in the US. He placed a newspaper ad for a translator which was answered by a young writer, Leonie Gilmour. She became pregnant but, by the time of the birth, Yone was back in Japan.
Their son, Isamu, was born in Los Angeles in 1904 and lived there with his mother for two years until she took him to join Yone in Tokyo. Once besotted by the West, Yone now loathed it and was far from sanguine at the arrival of his American lover and their illegitimate son. Soon they split up, and Leonie moved from Tokyo to the seaside town of Õmori. At the age of 14, Isamu was sent back to the US to enrol at an international school in Indiana. He graduated from high school as ‘Sam Gilmour'and won a place to study medicine at Columbia University.
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