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Help CenterReplica Charles Aluminum Executive Easy Chair - Light Grey Genuine Leather
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Product Description:
Replica Charles Aluminum Executive Easy Chair - Light Grey Genuine Leather
Item No.: DC5011
Chair size: W63xD80xH104cm , SH:39cm
Packing: Standard export packing,
Method one: 1 PC/CTN/0.55cbm, Carton Size: 115x75x64cm ,
20GP container: 45 pcs, 40HQ container: 120 pcs
Product pictures and Details:
Charles Management Aluminum Executive Easy chair
Charles Aluminum Management lounge chair chromed aluminum well
Charles aluminum easy chair tilt function details.
Management Aluminum Executive Easy chair four star fixed base
Management Aluminum Executive Easy chair inside packing
Management Aluminum Executive Easy chair ottoman is available
Management Aluminum Executive Easy chair packing
Material Color Option:
Designer:
Charles (1907-1978) Birthplace: St. Louis, Missouri, USA
Ray (1912 - 1988) Birthplace: Sacramento, California, USA
Probably the most notable couple in the history of the field of Industrial Design
In 1928 Charles graduated in architecture from Washington University in St. Louis, and in 1930 he set up office with Charles M. Gray. During the 1930s he designed several houses around St. Louis and two churches in Arkansas. In 1934 he went to study at the Cranbrook Academy of Art in Michigan, where he met friend and colleague Eero Saarinen.
Charles and Saarinen entered the New York Museum of Modern Art’s Organic Design in Home Furnishings competition in 1940, where they took first prize with their pioneering moulded plywood chairs. Their sculptured designs heralded a new production method of moulding a plywood shell in three dimensions. Charles also earned himself a position as Head of Industrial Design at Cranbrook in the same year.
Ray Kaiser studied painting at the Hans Hoffman School in New York before continuing to develop her art, working under Hans Hofmann throughout 1937. During this period she played an integral part in setting up the American Abstract Artists group who campaigned for greater publicity for avant-garde art. The group gave her a foundation from which she launched her first exhibition at the Riverside Museum in New York. From there she moved on to the Cranbrook Academy of Art in 1940.
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